Piotr Schollenberger

PhD in philosophy, works at the Department of Aesthetics, Institute of Philosophy, University of Warsaw. His research interests include phenomenology, phenomenological aesthetics, philosophy of art, and modern art theory. He recently published the monograph: Jednostkowość i wydarzenie. Studia z estetyki Lyotarda (Singularity and Event. Studies in Lyotard’s Aesthetics, Wydawnictwo Naukowe Semper, Warszawa 2019) and is the author of Granice poznania doświadczenia estetycznego (The Limits of Cognition of the Aesthetics Experience, Wydawnictwo Naukowe Semper, Warszawa 2014), he also co-edited a collection of essays on contemporary French phenomenological aesthetics: Fenomen i przedstawienie. Francuska estetyka fenomenologiczna. Założenia/zastosowania/konteksty (Phenomenon and Representation. French Phenomenological Aesthetics. Assumptions/Applications/Contexts, IFiS PAN, Warszawa 2012), and the book on Kant’s aesthetics: Aktulaność estetyki Kanta (Actuality of Kant’s Aesthetics, Wydawnictwo Naukowe UMK, Toruń, 2016). He also translated (with Monika Murawska) Jean-François Lyotard’s Que peindre? Adami, Arakwa, Buren (Co malować? Adami, Arakwa, Buren, Wydawnictwo Naukowe PWN, Warszawa 2015).

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