Abstract: This essay aims to analyze the conception of a work of art in the thought of Susanne K. Langer. The author offers us a definition of art, grounded on the idea that art is the “creation of symbolic forms of human feeling”. This thesis is, in turn, constructed from a robust theory of the symbolic function…
Abstract: This essay notes the relationship between meaning and the felt passage of time. The concrete experience of fluctuations in the rapidity of passage seems to be universal to the human condition. We often associate the rapid passage of time with pleasure. This article shows that this commonly held view of passage is mistaken and…
Abstract: In the first part of the paper the author focuses on the way the great historian and thinker Gershom Scholem understood the Lurianic idea of tsimtsum (i.e. divine contraction as the first act of creation) as the key category of Jewish theology. Next, he combines the conceptual structure emerging from the Scholemian understanding of…
Abstract: Are emotions internal episodes – psychical or neurological – as is often claimed? Some certainly are; but I maintain that an important class of emotions are “peripheral”; by this I mean that they consist in what we pick up from others’ expressions of their emotions in words, gestures, or actions – or from surrounding circumstances of various sorts. These…
Abstract: Here is a philosophical examination of some themes presented by Milan Kundera in The Art of the Novel, as well as in his novels Immortality and The Unbearable Lightness of Being. The discussions of the first-personal perspectives of the novel’s author, both as appearing in and as contrasted with that of a character in the novel, as these unfold in implicit subtle…
Abstract: God’s name “Elohim,” common in the Hebrew Bible and Jewish tradition, is always used with verbs in the singular even though it is in the plural form. It is shown here that the ungrammatical usage can be seen as the best solution to a natural problem. Namely, tradition assumes that it should be impossible to talk about a general…
Abstract: Defending the ancient thesis, that being and the true, or being and manifestation, are necessarily inseparable, is at the heart of transcendental phenomenology. The transcendental “reduction” disengages the basic “natural” naïve doxastic belief which permits the world to appear as essentially indifferent to the agency of manifestation. The massive work of transcendental phenomenology is…
Abstract: The claim of this paper is that theism and atheism as beliefs about the nature of the universe are equally distant from any sort of proper justification by reasoning, but that faith cannot be reduced to any sort of belief (although it induces beliefs). This claim is illustrated by a survey of several case-studies, including…
Abstract: In this essay, I explore Cassirer’s brief discussion of utopia in An Essay on Man, as likely built upon Kant’s theory of genius as from the Critique of Judgment. This exploration of Cassirer’s theory of utopia lays the groundwork to argue that a utopia is the dynamic product (work) of the “ethical genius,” a work that advances culture by luring…
Abstract: Stemming from a reading of Hegel’s account of the struggle for recognition in the Phenomenology of Spirit, Kojève argued that death is the central notion of Hegel’s philosophy. I will discuss several themes in relation to this claim of Kojève’s interpretation of Hegel, namely the themes of freedom, individuality, and historicity. I will also discuss…