Abstract: Here is a philosophical examination of some themes presented by Milan Kundera in The Art of the Novel, as well as in his novels Immortality and The Unbearable Lightness of Being. The discussions of the first-personal perspectives of the novel’s author, both as appearing in and as contrasted with that of a character in the novel, as these unfold in implicit subtle…
Abstract: God’s name “Elohim,” common in the Hebrew Bible and Jewish tradition, is always used with verbs in the singular even though it is in the plural form. It is shown here that the ungrammatical usage can be seen as the best solution to a natural problem. Namely, tradition assumes that it should be impossible to talk about a general…
Abstract: Defending the ancient thesis, that being and the true, or being and manifestation, are necessarily inseparable, is at the heart of transcendental phenomenology. The transcendental “reduction” disengages the basic “natural” naïve doxastic belief which permits the world to appear as essentially indifferent to the agency of manifestation. The massive work of transcendental phenomenology is…
Abstract: The claim of this paper is that theism and atheism as beliefs about the nature of the universe are equally distant from any sort of proper justification by reasoning, but that faith cannot be reduced to any sort of belief (although it induces beliefs). This claim is illustrated by a survey of several case-studies, including…
Abstract: In this essay, I explore Cassirer’s brief discussion of utopia in An Essay on Man, as likely built upon Kant’s theory of genius as from the Critique of Judgment. This exploration of Cassirer’s theory of utopia lays the groundwork to argue that a utopia is the dynamic product (work) of the “ethical genius,” a work that advances culture by luring…
Abstract: Stemming from a reading of Hegel’s account of the struggle for recognition in the Phenomenology of Spirit, Kojève argued that death is the central notion of Hegel’s philosophy. I will discuss several themes in relation to this claim of Kojève’s interpretation of Hegel, namely the themes of freedom, individuality, and historicity. I will also discuss…
Abstract: Science-art collaborations are a growth area. An example is the Wellcome Collection exhibition “States of Mind”. I focus on one work yellowbluepink by Ann Veronica Janssens. As framed within the exhibition this piece is understood to present a model of spectatorship in which the art-encounter prompts an awareness of the p o s s i b i l i t y of neuroscientific self-understanding. I take…
Abstract: In the contemporary humanities there is still a problem with the understanding of the great texts of Western Mysticism – the common interpretations oscillate between taking the mysticism as the pathology or as the supernormality. Different researchers, including psychiatrists, psychologists, theologians and philosophers, are usually presenting theories that are either too narrow or not enough…
Abstract: Do the various ascriptions of “violence,” e.g., to rape, logical reasoning, racist legislation, unqualified statements, institutions of class and/or gender inequity, etc., mean something identically the same, something analogous, or equivocal and context-bound? This paper argues for both an analogous sense as well as an exemplary essence and finds support in Aristotle’s theory of anger…
Abstract: In this paper, the mode in which the self reveals itself in the contemporary world-historical situation will be analysed. Hence, the focus will be on a particular form of technological mediation of the self by examining a recent phenomenon commonly referred to as the s e l f i e. Unlike most psychological studies suggest, it will be argued that selfies enable a human epistemological need…