/Review of Randall Auxier’s, Metaphysical Graffiti: Deep Cuts in the Philosophy of Rock (Chicago: Open Court, 2017), 396 pages./
“There’s a certain type of song that only the virtuoso poet-songwriter can pull off,” observes Randall Auxier.
It may even seem to be a genre in itself. Some examples everyone knows are Don McLean’s “American Pie,” Bob Dylan’s “Subterranean Homesick Blues,” and of course Bruce Springsteen’s “Blinded by the Light.” … I am speaking of completely over-the-top, testosterone-laden, swash-bucking wordsmithery that only a young man (or a man with a young Muse) would even dare to attempt.
How to cite:
Sartwell, Crispin. “Rocking and Reasoning: Randall Auxier’s Sharp Reflections on Rock Music, Philosophy and Life.” Eidos. A Journal for Philosophy of Culture 2, no. 4(6) (2018): 102-105. https://doi.org/10.26319/6920.
Department of Philosophy, Dickinson College
Open Access Statement:
This is an open access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author, as long as the author and original source are properly cited. This is in accordance with the BOAI definition of open access.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Submitting a text to Eidos. A Journal for Philosophy of Culture means that the author agrees with the general conditions of this license. The author does and will maintain copyrights and publishing rights for his/her article without any restrictions.