Abstract: Violence occupies a regal position in the work of de Sade. It manifests itself in two forms: sexual persecution (excesses, manias, perversions, cruelty) and enlightened reasoning (unabashed promotion of naturalism, rationalism, hedonism and atheism). De Sade uses his most precious instrument as a semblance, by creating a magic spectacle of a gothic novel, and as truth, when he presents himself as a metaphysician…
Abstract: In this paper, I seek to clarify, criticize, and expand upon the ambiguous-yet-influential concept of divine violence introduced by Walter Benjamin’s “Zur Kritik der Gewalt”. I proceed in three parts: in the first, I outline Benjamin’s argument about the cycle of mythical violence and divine violence’s special role as an interruption of that cycle. Next, I explicate Spinoza’s key…
Abstract: Through myths that pattern and repeat we figure the world to ourselves. The desire to be done with myth, to surpass mythic thinking in favor of a “more” rational way of thinking, is but one way of perpetrating violence in the guise of similitude. The rejection of muthos by logos is itself a form of violence, with significant ramifications. The…
Abstract: It seems that the first two decades of the twenty first century demonstrate political mythology to be still functioning in the political life of the West. In this context, it is interesting to view the recent publications of Hans Blumenberg’s Nachlass: Präfiguration (“Prefiguration,” 2014) and Rigorismus der Wahrheit (“Rigorism of Truth,” 2015), as they reveal…
Abstract: One of the major questions emerging in present-day reflections on politics is related to violence and its relation to institutional order and law. In the paper, an issue of concern for a very particular form of political conflict, that is, civil war, is addressed. Violence in politics, and particularly its specific form, that is, stasis (civil…
Abstract: In this article, I make an attempt to elucidate the problem of violence in Foucault’s genealogy that, following Nietzsche’s genealogy, seems to be based on the concept of a conflict of forces. Thus, the war of forces that constitutes history is the first dimension in which the presence of violence can be described in Foucauldian philosophy. The second dimension refers…
Abstract: The aim of this paper is to present the idea of violence in Nietzsche’s work, seen as a basic principle that organizes and unites different elements of his philosophy. Violence is one of its crucial categories, which he exploits in his descriptions and analyses of metaphysical, historical and social-cultural reality. In what follows, I shall examine different…
Abstract: Violence works at the same time as what we find in the world according to our best description of reality, and as what we fight and reject, hoping for a more peaceful world. It may also be what we recommend, as the only way to change things, or even what we celebrate, as the key resource of true art. Sometimes we even think that adequate…
Abstract: In the most general terms, the Logical Connection Argument (LCA) states that theory and practice are two inseparable aspects of the same thing. Every action (or practice), linguistic or otherwise, is an indivisible unity of content and the means by which it is expressed. Alternatively, we may talk of the inseparability of content and…
Abstract: Paul Ricoeur uncovered the creative aspect of language in his theory of metaphor. The metaphor is a special combination of words that as a clash of distant semantic fields forces the reader to interpret the sentence in a new way and see things in a new light. It is a process in which the imagination plays an important role. Ricoeur…