2021-03Forum
A Few Theses on Art, Alienation, and Abolition

Abstract: Marcuse suggested the alienation of art from society intrinsic to the aesthetic form represents and recollects an unreal world capable of indicting existing social arrangements while simultaneously providing a sensuous experience of another possible, liberated reality denied by established institutions. Drawing on and recasting part of Marcuse’s theory of art and the aesthetic…

2021-02Forum
David Graeber: Purity, Alienation and Dignity

Abstract: David Graeber wrote about debt, jobs and the negative effects of globalization. He was an American anthropologist, anarchist activist, and was an author known for his books Debt: The First 5000 Years, The Utopia of Rules and Bullshit Jobs: A Theory. A professor of anthropology at the London School of Economics, he passed away…

2021-02Forum
Technological Exercises

Abstract: The paper aims at setting the problem of the relation between technology, and the individual within the framework of Pierre Hadot’s idea of spiritual exercises. It compares two rivaling views of technology that originated in the Weimar Republic in order to outline a problematic field for examining the present position of the individual and…

2021-01Forum
On Tradition and Cultural Memory in Contemporary Art: Theoretical Considerations

Abstract: This paper starts with a detailed analysis of Jan Assmann’s qualitative distinction between cultural memory and communicative memory. The purpose of this analysis is to highlight both the strengths and the limitations of this seminal distinction, and to also reflect on what cultural theorists and contemporary artists could learn through Assmann’s distinction since…

2021-01Forum
Gödel, Wittgenstein and the Sensibility of Platonism

Abstract: The paper presents an interpretation of Platonism, the seeds of which can be found in the writings of Gödel and Wittgenstein. Although it is widely accepted that Wittgenstein is an anti-Platonist the author points to some striking affinities between Gödel’s and Wittgenstein’s accounts of mathematical concepts and the role of feeling and…

2020-04Forum
Moral of the Novel: Rorty and Nussbaum on the Ethical Role of Literature

Abstract: This paper’s aim is to provide a new interpretation of Martha C. Nussbaum’s and Richard Rorty’s views on the ethical role of literature. I pursue this aim in a threefold manner. First of all, I shortly discuss and provide a critique of previous comparisons by other authors. Afterwards, based on the presented critique of other comparisons, I present concise summaries…

2020-04Forum
The Transcendental-Phenomenological Ontology of Persons and the Singularity of Love

Abstract: Reference to persons with personal pronouns raises the issue of the primary referent and its nature. “I” does not refer to a property or cluster of properties. This contrasts with our identifying grasp of persons. A person is a radical singularity and thus stands in contrast to a kind or sortal term. The individuation of persons is not adequately…

2020-03Forum
Evaluating Food and Beverage Experience: Paradoxes of the Normativity

Abstract: This article is concerned with an analysis of semantics and the normativity of evaluative judgments, in which “aesthetic concepts” and “predicates of personal taste” are used in the context of the evaluation of selected cultural forms (foods and beverages). Qualitative data obtained through semi-structured interviews with representatives in four categories of actors…

2020-03Forum
John Dewey’s Theory of Emergence: Culture, Mind, Consciousness, and Cognition

Abstract: Emergentism is an important and yet underexplored component of John Dewey’s metaphysical program, and concerns the ways in which existences relate, operate, and grow in coordination with a more inclusive environment. Through an emergent account, Dewey addresses continuities among the generic traits of nature, inanimate substance, biological life, and experiential “fields” such…

2020-03Forum
Progress and Reversions: Movement in the Hermeneutic Circle of Culture

Abstract: In this essay I present culture as a realm constituted by a circular movement where progress is constantly confronted (and questioned) by different forms of reversions. By progress I mean specifically oriented changes we observe in culture. Many of them are rooted in the development of technology and science, or stem from demographical changes and intercultural influences. Reactions to these changes frequently involve…