Filip Gołaszewski, Jan Molina – Biography, Style and the Phenomenology of Self-Writing (1-11)
Allen Speight – Hegel and the Task of Biographical Narrative (12-27)
Ben Roth – From Ricoeur Back to Heidegger on Narrative and Self-Understanding (28-52)
Martina Lodi – “Do it for the Plot”: A Ricoeurian Approach to Social Media Performativity (53-68)
Anton Marczyński – The Entity as Being: On the Ontological Aspects of Style (69-97)
Uryen Blánquez Gálvez – Retracing Bazin’s Phenomenological Approach to Realism in Film (98-116)
Jurga Jonutytė – Modality Against Stigmas: Avoidance of Totalization in the Self Narratives (117-140)
Sławomira Żerańska-Kominek – Music as a Model of Aesthetic Experience in Arnold Berleant’s Environmental Aesthetics (141-157)
Deepa Majumdar – Understanding this Dire Historical Moment – an Essay (158-182)
Rory J. Conces – Reading Isabella Hammad and Beyond: THE UNSAID – The Point of Recognizing Turning Points, Narratives (Stories), and Strangers (183-200)
Oleksandra Bagatska – War Experience and the Breakdown of the World: Ukrainian War Literature (201-218)
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